You will notice a couple of major problems already with this YouTube video. It doesn't even attempt to convey the truth: Jesus, like all such victims, was crucified nude (evangelicals like to speak of the "shame of the cross"). Also, he had spikes through his wrists. The art here fails on both counts. Latter-day Saints might at least be expected to understand these realities -- one of which is dealt with in the temple.
Indeed, on the west tower of the Salt Lake Temple, we find the image of Ursa Major and Polaris. Anciently, Ursa Major was known as The Wagon, which together with Polaris represented the unwearying circumpolar stars of God in Isaiah 14:13 (= 2 Nephi 24:13), and they symbolized eternity in the Bible, as well as in Phoenicia and Egypt.
The Wagon was also known as the Seven Sages (who sit in the Heavenly Council with God, Isaiah 14:13), or as the seven threshing oxen (Septemtriones) which keep the millstone (plaga septentrionales) of the gods moving, with Kokob/ Kochab “Star” (beta Ursae Minoris) as the “millpeg” of the ever-turning and grinding mill of the gods. So, while Jupiter is Zeus-pitar "God the Father," Saturn is Jesus, the Lord and Pivot of the Mill of the Gods, i.e., he is Polaris, and Polaris is none other than the “north nail” or “World Nail,” the central nail or peg of the turning mill of time and destiny, and the way into and out of the watery abyss (the Maelstrom whirlpool) of death and hell. G. de Santillana & H. von Dechend, Hamlet’s Mill: An Essay on Myth and the Frame of Time. Gambit, 1969/ Boston: D. Godine, 1977.